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Next, you position the filter so that it's between the vocalist's mouth and the microphone. The first thing you do is screw it onto your microphone stand. You can pick up a pop filter for around $8 here. With less air shooting directly towards your microphone, you greatly reduce the plosives caused by consonants. Your vocalist stands in front of the pop filter and sings through it into the microphone. Pop filters can be made out of various different porous materials and their main job is to disperse airflow. The easiest way to reduce plosives, at a recording level, is by using a pop filter. Pop Filtersīefore fixing plosives, it's important to reduce the amount of plosives that you record.
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When bursts of air hit your microphone, they cause sharp transients to appear in your recorded audio file. Air flow is stopped by the vocalist's lips, teeth, or tongue, and then released with a huge amount of force.
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Want a crisp, clean and more full of life vocal than your original? Download your Logic Pro Vocal Presets now and achieve the professional audio sound you've always dreamed of.Plosives are created by the large amount of air that's pushed out of the talent's mouth all at once. By eliminating the room information at 400 Hz, we killed the resonances without negatively impacting the frequency spectrum of the direct signal.ĭownload 9x Rap Vocal Presets for Logic Pro X The result: the resonance is gone but this time the violin sounds as rich and full as before. To do so, we need to move the proximity band upwards at 400 Hz – the plug-in automatically attenuates the reverb parts at this area of the spectrum. So, the idea is to heavily emphasize the direct parts of the recording at 400 Hz. There are situations when the unpleasant resonances are basically all in the signal’s indirect parts, caused by the reflections of the room. Just make sure it doesn’t become too harsh or brittle. You can go as low as 6kHz (but keep it subtle) and boost as much as 5dB above 10kHz. Use a high shelf, and start with a 2dB boost at 10kHz.Įxperiment with the frequency and amount of boost.
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The best way to do this is with an analogue modelling EQ, such as the free Slick EQ. When using a more affordable microphone, you can simply boost the highs to replicate this characteristic. Most boutique microphones have an exaggerated top-end. This is perhaps the easiest and fastest way to make a vocal sound expensive. In the above quote, "clipping" is used to refer to the flattening of the waveform, but below is the more common use of the word. Hard Limiter can also sometimes be used to remove stubborn clicks that peak well above the general level of the waveform."īasically, the hard limiter is used to make the peaks of the waveform flat. Where the waveform exceeds the level set in "dB limit" it is clipped down, so reducing the peak level. Hard Limiter is like an extreme compressor effect, reducing the dynamic range of the audio.
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When using a de-esser, follow these 5 simple steps to make sure you get it right every time. The rest of your vocal chain could sound perfect, but words like “Specialty” may sound overwhelming because of sibilance. Typically “S” and “T” are the worst offenders. Sibilance is a type of sound that often seems harsh in the context of a recording. A de-esser allows us to compress the sibilance in our vocals. This techique works well especially when mixing rap vocalsĪ de-esser is a simple tool that goes a long way in making your mixes sound professional. Take a look at the example below and notice how the fader on the left moves automatically based on the automation curves on the track on the right. The most popular use of automation in mixing is to adjust the volume of a track.įor example, it allows you to bring an instrument to the forefront for a moment and fade it back out when the lead vocal comes back in. In this post, we'll share 5 ways to make vocals sound better nowĪutomation means having a DAW (Logic Pro X, Pro Tools, Ableton, etc.) automatically perform tasks over time, particularly moving knobs, faders, and switches for you. Whether you're a beginner music producer or an experienced sound engineer, there's always something new to learn when it comes to making vocals sound great. Vocal processing is one of the most easiest things in theory, but one of the hardest to accomplish in practice.